RebeccaBook - 1939
From Library Staff
(1938). In the suspense romance style, this is a classic gothic tale of mystery and love. At the great Cornwall estate of Manderley, Maxim de Winter and his frightened new wife try to live with the haunting legacy of Maxim's first wife, the beautiful and cold Rebecca, who died in a sailing accide... Read More »
If you like your romances dark, full of mystery with a touch of crime then this Gothic classic is for you! A naïve young woman is whisked away to a mysterious country estate by an even more mysterious male suitor, she hastily marries him but soon discovers that things aren't all as they seem. A p... Read More »
ChristchurchLib Nov 06, 2016
A classic in the realms of gothic literature, certain editions of this book also join the ranks of gothic novels where the cover features a woman in a nightgown lost out in the dark while looking back over her shoulder at an ominous mansion with a single lit window. (seriously, Google it, it’s a ... Read More »
From the critics
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SummaryAdd a Summary
The second Mrs. Maxim de Winter enters the home of her mysterious and enigmatic new husband and learns the story of the house's first mistress, to whom the sinister housekeeper is unnaturally devoted.
The story concerns a woman who marries an English nobleman and returns with him to Manderley, his country estate. There, she finds herself haunted by reminders of his first wife, Rebecca, who died in a boating accident less than a year earlier. In this case, the haunting is psychological, not physical: Rebecca does not appear as a ghost, but her spirit affects nearly everything that takes place at Manderley. The narrator, whose name is never divulged, is left with a growing sense of distrust toward those who loved Rebecca, wondering just how much they resent her for taking Rebecca's place. In the final chapters, the book turns into a detective story, as the principal characters try to reveal or conceal what really happened on the night Rebecca died.
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"They were all fitting into place, the jig-saw pieces. The odd strained shapes that I had tried to piece together with my fumbling fingers and they had never fitted. Frank's odd manner when I spoke about Rebecca. Beatrice and her rather diffident negative attitude. The silence that I had always taken for sympathy and regret was a silence born of shame and embarrassment. It seemed incredible to me now that I had never understood. I wondered how many people there were in the world who suffered, and continued to suffer, because they could not break out from their own web of shyness and reserve, and in their blindness and folly built up a great wall in front of them that hid the truth. This was what I had done. I had built up false pictures in my mind and sat before them. I had never had the courage to demand the truth. Had I made one step forward out of my own shyness Maxim would have told these things four months, five months ago."
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