Station ElevenBook - 2014
Featured Blogs and Events
It started with the destruction of the world via avian flu and ended with mind control and memory loss via music. My last few weeks have been filled with two books from my go-to genre, dystopian science fiction, and both were rip-snorters. Station Eleven by Emily St. John Mandel is a classic post-apocalyptic tale. A deadly flu that kills within hours sweeps through the entire world populatio… (more)
Talk to me about the future! Talk to me about the end of the world; about plagues and the collapse of civilisation. Talk to me about fame and dead ends and the different ways people find themselves stranded; talk to me about the art people make in order to stay alive, stay human, because survival is insufficient. This is Emily St John Mandel's latest book, Station Eleven. Full disclosure, I… (more)
From Library Staff
ChristchurchLib May 14, 2019
‘Station Eleven’ is a story of survival, recovery and connections. In an apocalyptic world a girl joins a travelling band of Shakespearean actors, moving from camp to camp to bring light to the dark times for the remaining few. A self-proclaimed prophet emerges, and the story sets off on a path w... Read More »
minor_cat Jun 01, 2017
Gentle post-apocalypse! A very good read.
AliReads Dec 09, 2015
Hilariously critisised for being a "nice apocalypse", this is a book about the best of human nature in the worst of times.
It's got everything I want in a book, a massive plague, theatre, a girl with knives on her belt, mass panic as civilisation goes under, beautiful aspects of human nature as the scraps of the human race rebuild some sense of civilisation. It has some gorgeous, memorable (sometimes chilling) scenes... Read More »
From the critics
QuotesAdd a Quote
Dr. Eleven: "What was it like for you, at the end?"
Captain Lonagan: "It was exactly like waking up from a dream."
"[...] everyone knows when you've got a terrible marriage, it's like having bad breath, you get close enough to a person and it's obvious."
“She was thinking about the way she’d always taken for granted that the world had certain people in it, either central to her days or unseen and infrequently thought of. How without any one of these people the world is a subtly but unmistakably altered place, the dial turned just one or two degrees.”
“I stood looking over my damaged home and tried to forget the sweetness of life on Earth.”
“The beauty of this world where almost everyone was gone. If hell is other people, what is a world with almost no people in it?”
“It was gorgeous and claustrophobic. I loved it and I always wanted to escape.”
“She had never entirely let go of the notion that if she reached far enough with her thoughts she might find someone waiting, that if two people were to cast their thoughts outward at the same moment they might somehow meet in the middle.”
“No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.”
“No one ever thinks they’re awful, even people who really actually are. It’s some sort of survival mechanism.”
Age SuitabilityAdd Age Suitability
SummaryAdd a Summary
One snowy night in Toronto, an actor playing King Lear drops dead on stage. Only 24 hours later, most of the city is dead from a rapidly spreading virus. The few survivors find, as the electricity and water stop, as the internet drops out, that the virus has killed 99% of the world's population.
The question arises: how to live now? In Emily St John Mandel's unusual approach to a post-apocalyptic novel, the survivors of this modern plague retain their longing for community and civilization, trying their best to live in pockets of humanity across North America.
Early on, we meet the Travelling Symphony, a group of musicians and actors who travel caravan-style around the countryside, performing Shakespeare and symphonies to the scattered inhabitants of tiny settlements. As Kirsten, a main character, has tattooed on her arm: Survival is insufficient.
However, this symphony is also heavily armed, as chaos does exist in the new world. There are those in this rough life who rely on violence, including an eerie Prophet who controls a town the Travelling Symphony rolls into at the start of the story. This Prophet and his followers will pursue them for the rest of the book, adding an edge of suspense.
The story weaves back and forth from apocalyptic present to the past, revealing ways in which all the characters are connected. The constant return to 'before' results in a sense of nostalgia for what we haven't yet lost. Mandel points out precious elements of daily life that her characters have lost forever – the taste of an orange, the feel of air conditioning, ice cream, the ability to connect with one another by phone.
Throughout the book we also encounter Dr. Eleven, a scientist in a graphic novel that Kirsten has carried with her over the many years of post-apocalyptic life. The two volumes she owns of this tiny graphic novel sustain her. Dr. Eleven lives on a satellite, Station Eleven, after the earth is destroyed, and his story reflects her own. This imaginary graphic novel is fleshed out so wonderfully that I hope it is only a matter of time before Mandel releases a real-life edition.
This is a beautiful book; imaginative and full of complex characters, it is a post-apocalyptic novel that combines danger with beauty, sadness with hope. Mandel clearly believes that there is something good in humanity that will endure.
There are no notices for this title yet.